Ketchum-Pleon’s full-service agency aims to please

ketchum1by Andrea Karsesnick

Exactly 90 years ago, Ketchum was founded in Pittsburgh. Today, Ketchum, which is now is a subsidiary of the Omnicom Group, is one of the world’s leading PR agencies with offices across the globe, including Germany.

It joined Omnicom in 1996 and then merged with Pleon in 2009, which is based in Dusseldorf. Ketchum covers five global practice areas: brand marketing, corporate communications, healthcare, food and nutrition, and technology, according to its website. Pleon is the largest PR agency in Europe with 39 offices; it is also the third largest company in Germany.

Ketchum Pleon in Germany as a whole has 335 consultants, marketers and creative staff members. There are 37 media relations experts, 30 editors, 20 social media experts and one research center. There are more than 3,400 Ketchum employees worldwide.

According to the staff members who met with Point Park students, Ketchum Pleon Munich is a full-service agency. It is comprised of 60 people: Fifteen people handle health care, with clients such as Bayer; 15 associates handle change, with clients such as Zeiss and Siemens; and 20 people on the corporate team handle BMW, Kodak and Dell. All together Ketchum Pleon Munich has 42 clients.

Ketchum works with a number of well-known brands such as Snapple, Barbie, Special Olympics, and Häagen-Dazs.

Ketchum works with a number of well-known brands such as Snapple, Barbie, Special Olympics, and Häagen-Dazs.

Ketchum Pleon employs many research methods, according to Diana Dorenbeck, a consultant and media relations expert and Markus Ruether, business director and expert in corporate and financial communications. The agency enlists different research companies to perform market research. Methods include internal research by conducting questionnaires within the agency, street questionnaires and additional market research by calling random phone numbers and polling citizens. Phone calls are also made to journalists to find out what they think of different companies, they told the students. Ketchum Pleon Munich seldom uses focus groups.

Ketchum Pleon Munich puts a heavy focus social media. Of the Internet users in Germany, 76 percent are registered on social media. Social media in Germany is mostly Facebook, as Twitter is not that important, according to

Christopher Langner, director of digital and media communications.

That doesn’t mean that the agency doesn’t try some Web-based creative methods to help clients. He showed the students an example of an animated video for Lefax, an anti-flatulence drug produced in Germany that needed to reach a younger demographic, consumers 30-49. Check out the link: http://www.ketchumperspectives.com/issues/digital-social-media/case-studies/farting-to-stardom-germany.

According to Ketchum’s online magazine Perspectives, the video went viral, attracting 32,000 views on YouTube and capturing the attention of the mainstream media, which inspired thousands of consumes to actually begin engaging in conversation about flatulence online and reaching Lefax’s goal of generating buzz about the product.

The Ketchum staff members also shared their media tips for success in Germany. The top tip: “We’re the home to the Brothers Grimm. Pitch a story, not a product.” Following any PR campaign, Ketchum Pleon Munich must analyze and evaluate the results.  Analytics and metrics are very expensive and more often than not, clients do not want to pay for that, Langner said. Ketchum can easily measure how many media mentions a campaign received in comparison to competitors. Analytics on social media are done by Facebook, which can be seen by the administrator of a brand page. This is vital to measuring the impact a company has on the public through the use of social media. With this, a company can tailor the messages it sends to target audiences.

A castle fit for a King

Neuschwanstein is nestled in the hills of Hohenschwangau, Bavaria (photo by Katie Pflug)

Neuschwanstein is nestled in the hills of Hohenschwangau, Bavaria
(photo by Katie Pflug)

by Andrea Karsesnick

One hundred and seventy-two days.

That’s how long King Ludwig II lived in Neuschwanstein Castle, a tall, white picturesque structure sitting high in the mountains of Hohenschwangau, Bavaria, Germany. The castle was the inspiration of Disneyland’s Sleeping Beauty castle, and it has been featured prominently in many films and German tourism videos.

King Ludwig was born on Aug. 25, 1845, in Bavaria in Schloss Nymphenburg. He began his reign as king in 1864 at the age of 18. He claimed to have accepted the throne too quickly and regretted it.

Ludwig II lived in a fantasy world. He wanted to believe in a “holy kingdom,” where each ruler was chosen by the divine right theory of kingship. In reality, Ludwig II was a constitutional monarch with duties.

He was a recluse, who secluded himself in his castle away from everyone and did not tend to his duties as king. The castle was never completed, although he moved into in 1884. In 1885, banks threatened to take away his property, and Ludwig II developed political enemies. He was arrested and interned in the Berg Castle in 1886. Ludwig II died of mysterious circumstances, an apparent drowning, on June 13 that year in Lake Starnberg. He died alongside his psychiatrist who had diagnosed him as insane.

He started to build it on the ruins of another castle.  The construction of Neuschwanstein started in the summer of 1868 and was ready for Ludwig II to move in in the end of 1884, according to the castle’s official website. He only lived in the castle for a short period before his death. He only saw this home as a construction site.

Neuschwanstein was Ludwig II’s escape from reality. It was his dream world modeled on the Middle Ages. The paintings on the walls were done by seven different unknown artists from the academy in Munich. Famous artists did not want to work for Ludwig II because there would be little room for creativity in the artwork as Ludwig II had all of the ideas. Nonetheless, the paintings are extremely intricate and ornate.

The castle from ground level.

The castle is a 30-minute uphill walk.
(photo by Johnie Freiwald)

Ludwig II did not want anybody to share his luxurious castle with anyone. However, the castle was open to the public seven weeks after his death. Today, roughly 1.4 million people visit the castle each year and there are nearly 8,000 visitors each day.

The Point Park University group’s tour guide cited her favorite part of the elaborate castle.  Saura Samgabote, who has led tours there for seven years, says, “I love the details in the paintings. Every day I notice something I did not the day before.”

The decorated walls of Neuschwanstein were based on and inspired by the works of Richard Wagner, who was a good friend of Ludwig II. The paintings were inspired by his operas and medieval legends. There were three main figures on the walls of Neuschwanstein: Tannhaeuser, the swan knight Lohengrin and the Grail King Parzival.

Another theme used throughout the interior walls was religion. Ludwig II’s throne room was overseen by whom he saw as the highest king, Jesus. Ludwig II believed kingship to be “by the grace of God.”

The swan is also seen many times within the castle. Ludwig had a large swan statue and even door handles were modeled to form swan necks. The swan followed the religious theme as they are the Christian symbol of purity.

A basic ticket to the castle costs 12 euros. The visiting hours of the castle are from 9 a.m. to 6 p.m. April to 15 October. From Oct. 16 to March, the hours are shortened to 10 a.m-4 p.m. Tickets need to be purchased in advance, and visitors can only enter the castle’s rooms by guided tour. The castle is closed Dec. 24-25 and Jan. 1.

Visitors have to purchase tickets at the Ticketcenter Hohenschwangau in the village of Hohenschwangau below the castle. From Munich, tourists need to take a train and then a bus to the castle; it’s a very steep 30-minute walk to the castle from the village, although a bus and horse carriages are available.