Touring Berlin

Reichstag

A view of the Reichstag
(photo by Michelle Graessle)

by Michelle Graessle

The barely full tour bus hit every bump in the unfamiliar road with little regard to its travel-worn passengers as it made its way toward the city. This particular bus was not immune to typical characteristics of other buses. The smell was stale and the air slightly stagnant. Seemingly unsuspectingly, this bus rolled along the highway in typical fashion; however, it was only a matter of time before this bus and its cargo would be enveloped by a foreign culture steeped in such a colorful history and taken completely by surprise.

The best way to describe a driving tour of Germany’s capital city Berlin is as a virtual reality history book. Instead of reading from a text, Liane Schulz, our tour guide is talking about what happened over a worn-out PA system. Instead of looking at pictures, the Point Park passengers are seeing it with their own eyes.

“And if you’ll look to your left, you’ll see the Brandenburg Gate,” she nonchalantly mentions.

The Brandenburg Gate is a cultural and historical icon.  (photo by Alexa Blanchard)

The Brandenburg Gate is a cultural and historical icon.
(photo by Alexa Blanchard)

The Brandenburg Gate has had an interesting view on so many decades of history, its symbolism changing with the times. Originally upon its inception, it was a symbol of peace. Then in Nazi times, it was a symbol of the party. It had a front row seat to that long, terrible reign and then later the end of the Berlin Wall.

As the bus rolled on, the tour guide mentioned another interesting tidbit about Berlin. “We have 170 museums in Berlin. That’s more museums than days it’s raining here,” Schulz  said.

And how couldn’t there be? With so much history to explore, it comes as no surprise that Berlin is home to a multitude of museums. The tour guide pointed out a museum at Checkpoint Charlie, one of the former connecting points between East and West Berlin. There is the Topography of Terrors that chronicles many aspects of Germany under Nazi rule, which was very close to the group’s hotel in Berlin, and there are also many diverse art museums to visit, many on Museum.

Just as diverse, Schulz explains, are the types of people living in Berlin. Of the 3.5 million citizens, the top three groups of immigrants come from Turkey, Croatia and other parts of Eastern Europe. One hundred and eighty countries are represented in this 775-year-old melting pot of a city. Also included in the population of Berlin are students. Berlin is the setting for to four universities and around 260,000 students. Because of this, nightlife is a large part of Berlin’s culture, giving it a unique reputation to the rest of Germany.

Students explore the Holocaust Memorial. (photo by Connor Mulvaney)

Students explore the Holocaust Memorial.
(photo by Connor Mulvaney)

Berlin attracts 1.2 million visitors per year, the guide said. Also not a surprise as on a driving tour alone the students saw the Reichstag building, Potsdamer Platz and the Sony Center, the Victory column, also known by American soldiers in World War II as the “Chick on a Stick,” and so many other iconic tourist destinations and historically relevant locations. The Point Park students and faculty stretched their legs at the Holocaust Memorial, a striking outdoor sculpture and commemorative museum in the midst of their initial tour.

This dynamic and diverse city also offers other unique experiences to travelers in its distinctive gastronomy and cultural nuances. If a tour bus could talk, it would tell visitors that Berlin is a must see for anyone interested in Germany as a travel destination.

Point Park University students tour ZDF with Wulf Schmiese

Wulf and his co-host chat with musical act Frida Gold

Wulf and his co-host chat with musical act Frida Gold

by Johnie Freiwald

On their fourth day in Berlin, Point Park students and faculty visited the public television network Zweites Deustches Fernsehen or ZDF. They were awake bright and early to walk to the station with their tour guide because the day held something special: They were ready to be part of the studio audience of ZDF’s morning show, MoMa Café.

During the show the students experienced a live performance by Frida Gold, a German pop band. ZDF’s MoMa Café is a modern, trendy show similar to the United States’ “Good Morning America.” They regularly bring musical acts and guests that are well known by the young people in Germany to attract a youthful audience.

The hosts of MoMa Café frequently took time to speak with their studio audience. However, because the show is completely in German, most of the Point Park students were more or less in the dark for the entirety of the show. Despite the language barrier, MoMa Café has a similar format to many American morning news and talk shows with guests, musicians, video segments, games, and interruptions to present the weather or breaking news.

After the show, the group met with one of the show’s presenters or host, Wulf Schmiese. He spent most of his career as a hard-news journalist and had studied in the United States for a number of years during his time in university. Schmiese worked as a political correspondent for a Bonn newspaper in the early 2000s and then went on to be one of the founders of the newspaper Frankfurter Allgemeine. Then, in 2009, he left his longtime post as a political correspondent to cohost ZDF’s MoMa Café.

He explained that because ZDF is a public broadcasting system, and the one and only national television station in Germany, it does not have to worry about revenue. German residents must pay 16 euros a month to get this channel. “It’s a huge amount of money we get every year, billions of dollars,” he said. “For viewers, we mark it [pour programming] down to 16 cents for getting information and entertainment. Our show, I describe it as a salad. … the meat is the political stuff and the green and red stuff is the entertainment.

“It works well. It’s part of the democracy here. We’re like a newspaper. We’re like a magazine … a little bit of everything.”

The audience of ZDF's morning talk show, MoMa Cafe.

The audience of ZDF’s morning talk show, MoMa Cafe.

Schmiese imparted his wisdom about broadcasting and ZDF to the Point Park students and a group of young Palestinian students studying international diplomacy who were also visiting Germany. He explained what journalism means to him: “You have to find the middle. You have to find a way that it is not too banal or too stupid for people who are informed and have an idea of what’s going on in Palestine or wherever. You can’t be too complicated just for the professors and have a lot of people saying ‘What is he talking about.’  So you really have to find the middle way.”

He prepares himself by reading voraciously and writing his own scripts. That helps his presentation of the information, something he said he is still working on and critiques continually. He develops four to five questions for his interview subjects on the show but still tries to be natural in his work.

Schmiese is also the producer and editor-in-chief for the show, and he said the planning process starts days ahead of the broadcast. The staff is flexible, though, for breaking news. “We work like a newspaper,” he said. “The team watches what happens overnight and we have a telephone conference at 8 a.m. for the next day’s work.

The students were able to take away the level of Schmiese’s experience and expertise as well as his love for his work. His past work as a correspondent – sometimes even joining the president, chancellor, and foreign minister on trips – as well as his current post as a successful morning show host helped him, he told the students.

Schmiese answered questions about German’s allegiance to Israel and the need to recognize Palestine as a nation from the diplomacy students, who wore commemorative T-shirts marking the exact anniversary of that day in 1948 that Palestinians were expelled from Israel and now still cannot return to Haifa.

“Germany has a special relationship with Israel. We don’t call Palestine a nation … but as a territory. We must be careful – as people may say you who killed the Jews. Germany is waiting for U.N. acceptance as Palestine as a state. It should be more of what your people want, not what your government wants,” he said. Schmiese noted that he had worked as a correspondent in the Middle East and had full knowledge of the difficulty of divided cities and nations as he responded.

. The Point Park students finished this informative and fun-filled visit with a group picture with Schmiese and their new Palestinian diplomacy student friends.

Complete madness then, a beautiful museum now

madness-pflug

Part of the Berlin Wall, on the Topography of Terrors grounds, that reads “Madness”
(photo by Katie Pflug)

by Katie Pflug

Berlin, Germany’s Topography of Terror historic site is set on what used to be the site of the Reich Security Main office, but it is now a complex where visitors can learn more about the history of the Holocaust and the Nazi reign in Germany.

Even though National Socialist terror was planned and organized by other parties, the Reich Security Main Office was the center of most of the Nazi regime’s mass crimes and acts of terror.  Between 1933 and 1945, the central institutions of Nazi persecution and terror – the Secret State Police Office with its own “house prison,” the leadership of the SS and, during the Second World War, the Reich Security Main Office – were located on the present-day grounds of the “Topography of Terror” that are next to the Martin Gropius Building and close to Potsdamer Platz, according to its website. It was just blocks away from the Suite Novotel, where the Point Park group stayed during its time in Berlin.

After the war the grounds were leveled and initially used for commercial purposes. Later, in 1987, as part of Berlin’s 750th anniversary celebration, the terrain was made accessible to the public under the name “Topography of Terror.” An exhibition hall and the exposed building remains on the former Prinz-Albrecht-Strasse (today’s Niederkirchnerstrasse) and Wilhelmstrasse were used to document the history of the site. The documentation center opened in 2010.

Exhibit at the Topography of Terrors (photo by Katie Pflug)

Exhibit at the Topography of Terrors
(photo by Katie Pflug)

Now the grounds of the Topography of Terror have a haunted feel, almost as if visitors are being transformed back into that time period. It has part of the Berlin Wall as a backdrop, which adds more history and eeriness. There is a piece of the wall with the word “Madness” lightly written.  This part of the wall stuck out to many visitors because many of them stopped and looked at the part of the wall particularly long.  “The word [madness] describes how Germany was during that time period through the use of one word,” Andrea Karsesnick stated.

The outside exhibit begins with the year 1933, which is when the Nazi Party rise began. It was set up with large pictures, text, and propaganda posters.  There are also other sections of the wall that are on their sides, with the metal exposed.  The wall, in the form, looks like an art form.

It all starts in 1933 with “The Path to Dictatorship,” describing how Adolph Hitler came to power.   This section of the exhibit is very time consuming but worth each second. It starts with describing the phase where Germany was between democracy and a dictatorship.

There is one picture in particular that stood out more than the others.  The picture of the marching SS officers holding the flag with the Nazi symbol on it made it known to everyone that the Nazi Party was taking over.  This photograph was taken in January 1933.

The Reichstag Fire and Nazi Terror in Berlin was another key section of the 1933 exhibit, explaining the burning of the Reichstag building.  The burning of the Reichstag building, executed by a young Dutchman, Marinus van der Lubbe, led to the Nazi Terror taking place in Berlin.

The Topography of Terror, a commemorative site in Berlin, details the Nazi Party's rise to power in 1933 through the end of the war and the Nuremberg trials. Here Professor David Fabilli views some of the public shaming Jews endured in the years leading up to the Holocaust.  (Photograph by Helen Fallon)

The Topography of Terror, a commemorative site in Berlin, details the Nazi Party’s rise to power in 1933 through the end of the war and the Nuremberg trials. Here Professor David Fabilli views some of the public shaming Jews endured in the years leading up to the Holocaust.
(Photograph by Helen Fallon)

There are many propaganda posters hanging around the exhibit.  Each of them offers an explanation of what each poster is trying to persuade everyone to think is right.  Each of the photographs and propaganda posters really brought the exhibit to life.

In the middle of the 1933 exhibit there are separate hanging posters to remember some of the victims of Nazi Terror in Berlin.  All of the victims’ photographs are accompanied by their personal stories that would make anyone sick to his or her stomach.

For example, Franz Wilczoch, a laborer, was taken to the district court prison on June 22, 1933.  The Nazis were using the district court prison as a detention and torture center.  When he was there, they severely maltreated him.  His face was beaten with burning torches, they poured hot tar onto his wounds, his hair was cut or torn out, and he was plastered with adhesive tape.  He died from his injuries on June 30, 1933.

The exhibit then goes into events happening later in 1933, such as the Anti-Jewish Terror, purges and employment bans, Day of National Labor and the destruction of the trade unions, book burning, and the consolidation of power.

After the 1933 exhibit there is much more to see inside the  documentation center, which continues the timeline until beyond 1945 – from the start of the war, the “shamings” and public humiliation of remaining Jews, SS officers retreats, persecution of prisoners and Hitler’s opponents, to the trials of the leaders.

The grounds are landscaped with trees and a large pathway, which makes it easy to stop for a second and remember the terrible events that happened on that very location.

The pathway leads around all of the grounds and finally makes its way back to the documentation center.  Information on the Gestapo and SS offices are just a few of the examples of history that is around the pathway.

The center also includes a library, open from 10 a.m. until 5 p.m.; guided one-hour tours are also available. No admission fee is charged, and the site operates from 10 a.m. until 8 p.m. daily.  Staff members start closing the documentation center at 7:45 p.m. It is all wheelchair accessible.

According to its website, 900,000 people visited the “Topography of Terror” in 2012, making the documentation center one of the most frequently visited places of remembrance in Berlin.

The Axel Springer empire

Axel Springer exterior

Axel Springer took a chance by building the headquarters in Berlin.
(photo by Marina Weis)

by Marina Weis

Everyone thought journalist Axel Springer was crazy when he built his publishing house on the west side of Berlin during World War II.

A few days later, the Berlin wall was built right beside it.

But Springer had faith that Germany would be reunited and his headquarters would be in the center of a unified Germany. He believed his company had to pursue something called corporate social responsibility, with his fellow journalists fighting for a free social market. He called the headquarters that towered over the wall the lighthouse of freedom.

Although the Berlin Wall no longer stands near the headquarters today, the company still towers as the leading publishing house in the country, owning more than 230 newspapers and magazines with more than 80 online offerings, as well as involvement in television and radio stations and activity in 44 countries, according to its website. Its tabloid, Bild, has the highest circulation among Europe’s newspapers with more than 12 million people reading it daily.

Axel Springer, the journalist, may be gone, but current leaders of the company say his entrepreneurial spirit, creativity and integrity are carried through in every aspect of the company, even in the contracts of each journalist.

“Everything that he said came true and is still valuable today,” said Leeor Englander, assistant to the editor-in-chief of Die Welt, a large national newspaper owned by Axel Springer. “They were fighting against communism before and now it is terror today.”

Because Springer focused not only on content, but also on distribution and production, stemming from his family’s background in the newspaper business, he built the first print houses in Germany, and Axel Springer AG therefore began to print other newspapers, creating joint ventures, which began the expansion.

Leeor Englander greets the Point Park students and faculty.  (photo by Johnie Freiwald)

Leeor Englander greets the Point Park students and faculty.
(photo by Johnie Freiwald)

“At the time when Axel Springer invented Bild Zeitung, it was comparable with Facebook,” Englander said. “He did something nobody ever did before … The way he invented new magazines was the same way people today invent new apps and websites.”

In the same way that Springer fostered technological innovations, the company now strives to be the leading digital media company in Germany. Axel Springer AG currently generates more than a third of its revenue from its international business and with digital media.

Englander boasts of Die Welt as the first newspaper to have color, pictures, a compact version, a mobile application and to be the first real German national newspaper to go online.

“Journalism has nothing to do with paper,” Englander said. “It’s how do we reach our readers. We are not trying to keep print alive – We are trying to keep it as long as we can.”

Subscription only covers half the production cost of Die Welt. Advertising and classifieds cover the rest. Years ago, the reader paid almost all of it.

Despite ranking third among other leading print publications in Germany, Die Welt has taken leaps to further its digital presence, adopting a philosophy of mass-market journalism, which focuses on reaching all target groups with new products. It now sells more digital subscriptions per month than print.

“We knew that people were willing to pay for digital content,” Englander said. “Online is the most important distribution channel for the future.”

The focus was so much so online that Die Welt just last year decided to produce its content for online first, and then, at the end of the day, take the best content that was already online and publish it in print.

For comparison, Englander said Volkswagen builds the same car for both Germany and United States, but it looks only a little bit different because marketing is different in the United States. He said in the same breath, Die Welt produces the same content for its compact version, but it’s just less and shorter.

This repurposing of content in order to reach different readers can be seen Axel Springer’s publications. For example, the science section in the compact version of Die Welt was recently renamed Internet news to attract younger readers.

Axel Springer Academy students explain what they're learning to the Point Park students and faculty.  (photo by Helen Fallon)

Axel Springer Academy students explain what they’re learning to the Point Park students and faculty.
(photo by Helen Fallon)

In order to ease into the switch from old economy print style to a multimedia company, Axel Springer AG created a journalism academy to act as a change agent or think tank, bringing “fresh blood” and a “new mindset” to the company, according to Rudolf Porsche, director  of Axel Springer’s Akademie.

The Akademie started in 2007 and is the most progressive journalism school in Germany, according to Porsche. About 1,000 students apply to the fast and aggressive two-year vocational training at Axel Springer, but only about 40 of them are accepted. The job offers come after completion and some can be rejected. Most have completed an academic degree and prior journalism experience. They are also given a monthly salary of about 1,200 euros. These students are then contracted to work for three years at Die Welt or any other Axel Springer AG affiliates after the Akademie.

Porsche, also a journalist, said Akademie students are given “all they need,” such as Mac books, smart phones and cameras, as well as teachers to tell them how to use the equipment. The last thing they are given is the “freedom to act.”

“We give you the equipment, we teach you the techniques, and you teach us what to do with this,” Porsche said. “That is why we are awarded with prizes because it is not my work. It is the creativity of our students.”

In the past, the Akademie was awarded the Grimme Online Award, the CeBIT AppStar and the European Newspaper Award for projects when it competed with other news organizations in Germany.

“We do not compete with other schools. That’s boring. We competed with other brands,” Porsche said.

The students – this year ranging in age from 18 (which is unusual, Porsche said) to early 30s – are currently working on a relatively secret masterpiece project for the next few weeks that will eventually be published in the Welt Kompact and Welt Online.

“We started with simple things – with news, the basics, but now we are doing TV journalism and multimedia journalism,” said an Akademie student about her experiences at Axel Springer. “I think that’s really important. That will be the future. I think it’s great we learn it here even though it is hard work all the time, and you have to get yourself into all this technical stuff.”

Point Park University’s International Media Class gets a touch of culture in Salzburg, Austria

Mirabell Gardens all photos courtesy of Johnie Freiwald

Mirabell Gardens
all photos courtesy of Johnie Freiwald

by Johnie Freiwald
Point Park University students and faculty visited Salzburg, Austria, on Sunday, May 19, on a side trip as part of this year’s International Media class.  Salzburg has a rich history of musically talented people.  The students dodged raindrops to see the birthplace of Wolfgang Amadeus Mozart and where the famous singing Von Trappe family lived, a real family made famous by their story’s retelling in the widely known film 1965 film “The Sound of Music.”

When the Point Parkers arrived in Salzburg, they met Ursula, their tour guide for the day. The tour began at the intricately designed Mirabell Gardens.  The garden is near the steps made famous by the Trappe family children singing “Do, Re, Me” in “The Sound of Music.”  Next to these beautiful gardens, the tradition of music continues, in the Mozarteum.  This music university hosts musicians from all over the world and takes pride in training today’s musicians and theatre arts students. The Mozarteum is also home to the Salzburg Mozarteum Orchestra, one of Austria’s most well-known orchestras and a longtime participant at the Salzburg Festival in July.

The tour included brief stops at the two houses where Mozart lived – where he was born and where he lived as a teenager before leaving for Italy and finally Austria, playing for kings and queens during his brief but prolific career as a composer and musician.

Lovelocks on the Makarsteg Bridge

Lovelocks on the Makarsteg Bridge

The Point Park students then crossed the Makarsteg Bridge, which is home to many lovelocks. A lock is placed on the bridge by a couple to symbolize that their relationship will last forever.  After the lock is placed on the bridge the key is thrown into the Salzach River. As the group proceeded on their tour of Salzburg they saw vendors selling goods by the river.  Many generations of Austrians have had the pleasure of enjoying these open air markets.  They are now visited by citizens and tourists alike.

On a Sunday, many residents strolled the streets dressed in their traditional Austrian garb, something Ursula said is very common and evidence of pride in their heritage.

One of the most prominent features of Salzburg is the vast number of churches. One specific church, Sebastianskirche and Friedhof, which has been repeatedly rebuilt due to deterioration and natural disasters, features the classic baroque style that is so iconic in Gothic architecture. The church contains a crowded but very beautiful cemetery that is the resting place for hundreds of late Austrians.

Salzburg Cathedral

Salzburg Cathedral

The last stop on the tour was the Salzburg Cathedral.  The church was lit up with brilliantly colored lights to celebrate the Catholic youths convening that weekend in Salzburg. There were rows of flickering candles surrounded by groups of prayerful churchgoers, young and old. Outside, the group admired the grand architecture and marble stairs. Even near the church there were plenty of street vendors and money to be made by musicians and buskers, especially across the street where an army of horse-drawn carriages stood in waiting for tourists to purchase their services and ride through the Salzburg streets.

The group finished its visit in Salzburg with free time to explore the collection of shops, cafes, and street vendors followed by some traditional Austrian dining. The Point Parkers then embarked for their train and returned safely, yet exhausted, to Munich.

PR shines at the Munich Tourism Office

Isabella Schopp gives a presentation on the Munich Tourism Office (photo by Katie Pflug )

Isabella Schopp gives a presentation on the Munich Tourism Office
(photo by Katie Pflug )

by Katie Pflug

Isabella Schopp, who works in public relations for the Munich Tourism Office, really knows her facts about the third biggest city in Germany and was not shy to share them with Point Park University’s International Media class.

Munich, known as the “all around city,” is home to 1.4 million people.  That number seems like nothing compared to the 12.4 million visitors Munich achieved in 2012, which was a record year.  The United States of America, Italy, Arabia, The United Kingdom and Russia are among the countries with the leading amount of tourists that visit each year, Schopp said.

It also has the second largest number of universities, right after Berlin. Munich has 104,000 students in 15 universities, Schopp said.

Founded in 1158, Munich is now the center of science and economy.  High tech industries like BMW, EADS, and The Linde Groupe all call Munich home. Google, Siemens and Microsoft are also some of the leading I&C companies in Munich.  Munich is now the second largest city for broadcasting companies, right after New York City.

But, Munich has much more to offer than just being a great business hub.  Munich is full of culture, castles, history, churches, shopping, beer gardens, all set in an amazing location.

There are 63 museums in Munich, along with 100 theaters, two operas and three orchestras.  The Nymphenburgh Palace and Royal Residence are some of the castles in the area that are a must see while visiting Munich.  Right outside of Munich there are also the castles Neuschwantstein and Linderhof.  Castles are large part of Bavarian culture and a beautiful way to explore the history of the area.

Munich is a very green city with many parks.  As well as the many parks throughout Munich, 80 percent of locals own a bike, Schopp said.  The beer gardens also make many people want to be outside, she said.  In this particular part of Germany, visitors are able to bring their own food to the beer gardens.  That is something that is not permitted in the northern part of Germany.  Beer gardens have been around 200 years and are some of the main attractions for visitors.

Munich is a very busy city for events.  During February there was the Munich Creative Business Week.  In May there was the Long Night of Music.  Coming in June there will be the City Foundation Festival, celebrating 855 years of Munich.  Later in June, Munich will be hosting the Summer X-Games, Schopp said.  Of course in late September into early October there will be Oktoberfest, which marked its 200th anniversary in 2010.  Then in the end of November all the way until Christmas Eve, the Christmas Market will be available to residents and tourists.

The Munich Tourism Board’s general manager is Geraldine Knudson.  There are five different departments of the Munich Tourism Office: Marketing, Convention Bureau, Tourist Information, International Media and Public Relations.

The International Media is the branch of the office that Schopp is involved with, having previously served as a tour guide. She and her colleagues are responsible for the press kits, online image database, footage, the international newsletter, press trip assistance, film and photo permits, interviews. and research assistance.

Working in the International Travel Media section of the Munich Tourism Office are five colleagues and a trainee.

The Munich Tourism Office has professional photographers on staff, but sometimes it will buy photos from other journalists, Schopp said.  The in-house photographers are responsible for the photo archives.

The Munich Tourism Office plays a big role in educating journalists and others about what Munich has to offer, she explained.  And although Schopp will visit London and Paris to meet some of them and pitch Munich travel stories,  “The journalists come to us for stories, not vice versa.” It also plays a huge role in organizing events such as Oktoberfest and the Christmas Market in Marienplatz.

The Munich Tourism Office works with the Germany National Tourist Board, which she said is its most important partner, the Bavaria Tourism Marketing GmbH, Magic Cities Germany and the Munich Airport to do its support work.

Journalists from Toronto Star, Budget Star, and Irish Times have all used the Munich Tourism Office for their resources.  When the journalists check into the hotels they have a press kit waiting for them, Schopp said, and the Point Park students each received a scaled-down one as a sample. The press kit includes Munich Facts and Figures, a city map, a Munich City Guide, Munich Events, and Photo Services papers.

The press kits the Point Park group also had paperwork giving students and faculty permission to write, photograph and film within the city, something that is standard procedure for the Tourism Board to do for groups.

There are many different types of journalists that would find writing about Munich exciting as well as on-topic with their publication.  Munich’s target market is really anyone because of the vast amount of things to do and a lot of families find that Munich is the perfect place to go because of that.

Visitors looking to stay in Munich will find no shortage of hotel rooms.  There are around 300,000 hotel rooms in the city of Munich itself.

Schopp has been working at the Munich Tourism Office for three years and said she loves being in direct contact with the journalists.

More information is available on the city at the Munich Tourism Office’s website at www.meuchen.de or via email at travel.media@muenchen.de.

Stay in the east or flee to the west?

Checkpoint Charlie Museum

Checkpoint Charlie Museum

by Katie Pflug

Checkpoint Charlie was once a main crossing point between East and West Berlin and the Berlin Wall, but today it is a main historical attraction in Berlin, Germany.

The Checkpoint Charlie Museum may look like an old-fashioned home, but it is filled to the brim with historical remembrance of East and West Berlin.

Located near Potsdamer Platz, the Checkpoint Charlie Museum was erected in 1962 by freedom-fighter founder and director Dr. Rainer Hildebrandt. The museum started as a two and a half room apartment display that held history about the Berlin Wall. On June 14, 1962, the museum reopened in Friedrichstrasse in what used to be a block of flats, at the Checkpoint Charlie border crossing. Today it displays objects that helped escapees flee the East, exhibits to learn more about the history of the Berlin Wall and stories of escapees, according to its website.

Today the museum is run by Hildebrandt’s widow, Alexandra Hildebrandt, who, since the death of her husband in 2004, has expanded the museum to include more exhibitions about human rights and freedom.

The  permanent exhibition dates back to the museum’s first days, just after the building of the Berlin Wall, and charts the lifespan of the world’s supposedly most secure border system, according to its website. Here visitors can see original boards created by Hildebrandt in the 1960s, who worked with journalists, escape organizers and protesters to put together a compact and clear outline of the background to the wall’s creation, as well as other key events in East Germany’s history, such as the June 17, 1953, uprisings.

Katie Pflug and Michelle Graessle stop for a photo of the American sector exit sign.

Katie Pflug and Michelle Graessle stop for a photo of the American sector exit sign.
(photo by Connor Mulvaney)

After viewing the first room, visitors walk up a staircase that has children’s paintings all the way up to the top of the stairs. Each of the paintings explains the separation between East and West Germany and how children wish they could all be friends.  The paintings and drawings add a child’s perceptive to the museum, which gives visitors another great way to think about how the Berlin Wall affected so many people’s lives.

Throughout the whole museum there are many displays that shows objects that helped East Berliners escape to the west. From suitcases and heaters to escape cars, hot air balloons, homemade mini-submarines and deceptively hollow surfboards are just a few of the items that people used to escape. Reading the stories left many visitors looking shocked.

The museum displays a homemade airplane that was used as an escape method. The only part of the plane that was not homemade was the engine, which was taken out of a car.

The museum also has on exhibit other work describing human rights violations around the world and a permanent NATO exhibition.

Point Park students found the Checkpoint Charlie Museum a great way to learn more about what was happening while the wall was up in Berlin. The museum is heavy on reading, student visitors said, but each and every display is worth taking the time to read and understand.

The museum is open every day of the year from 9 a.m. until 10 p.m., including festivals such as Christmas and Easter and other bank holidays. Admission charges are 12.50 euros for adults, 8.50 euros for groups of 20 or more, and 9.50 for students and 6.50 for ages 7-18. Children up to 6 are free. Guided tours are available.

A castle fit for a King

Neuschwanstein is nestled in the hills of Hohenschwangau, Bavaria (photo by Katie Pflug)

Neuschwanstein is nestled in the hills of Hohenschwangau, Bavaria
(photo by Katie Pflug)

by Andrea Karsesnick

One hundred and seventy-two days.

That’s how long King Ludwig II lived in Neuschwanstein Castle, a tall, white picturesque structure sitting high in the mountains of Hohenschwangau, Bavaria, Germany. The castle was the inspiration of Disneyland’s Sleeping Beauty castle, and it has been featured prominently in many films and German tourism videos.

King Ludwig was born on Aug. 25, 1845, in Bavaria in Schloss Nymphenburg. He began his reign as king in 1864 at the age of 18. He claimed to have accepted the throne too quickly and regretted it.

Ludwig II lived in a fantasy world. He wanted to believe in a “holy kingdom,” where each ruler was chosen by the divine right theory of kingship. In reality, Ludwig II was a constitutional monarch with duties.

He was a recluse, who secluded himself in his castle away from everyone and did not tend to his duties as king. The castle was never completed, although he moved into in 1884. In 1885, banks threatened to take away his property, and Ludwig II developed political enemies. He was arrested and interned in the Berg Castle in 1886. Ludwig II died of mysterious circumstances, an apparent drowning, on June 13 that year in Lake Starnberg. He died alongside his psychiatrist who had diagnosed him as insane.

He started to build it on the ruins of another castle.  The construction of Neuschwanstein started in the summer of 1868 and was ready for Ludwig II to move in in the end of 1884, according to the castle’s official website. He only lived in the castle for a short period before his death. He only saw this home as a construction site.

Neuschwanstein was Ludwig II’s escape from reality. It was his dream world modeled on the Middle Ages. The paintings on the walls were done by seven different unknown artists from the academy in Munich. Famous artists did not want to work for Ludwig II because there would be little room for creativity in the artwork as Ludwig II had all of the ideas. Nonetheless, the paintings are extremely intricate and ornate.

The castle from ground level.

The castle is a 30-minute uphill walk.
(photo by Johnie Freiwald)

Ludwig II did not want anybody to share his luxurious castle with anyone. However, the castle was open to the public seven weeks after his death. Today, roughly 1.4 million people visit the castle each year and there are nearly 8,000 visitors each day.

The Point Park University group’s tour guide cited her favorite part of the elaborate castle.  Saura Samgabote, who has led tours there for seven years, says, “I love the details in the paintings. Every day I notice something I did not the day before.”

The decorated walls of Neuschwanstein were based on and inspired by the works of Richard Wagner, who was a good friend of Ludwig II. The paintings were inspired by his operas and medieval legends. There were three main figures on the walls of Neuschwanstein: Tannhaeuser, the swan knight Lohengrin and the Grail King Parzival.

Another theme used throughout the interior walls was religion. Ludwig II’s throne room was overseen by whom he saw as the highest king, Jesus. Ludwig II believed kingship to be “by the grace of God.”

The swan is also seen many times within the castle. Ludwig had a large swan statue and even door handles were modeled to form swan necks. The swan followed the religious theme as they are the Christian symbol of purity.

A basic ticket to the castle costs 12 euros. The visiting hours of the castle are from 9 a.m. to 6 p.m. April to 15 October. From Oct. 16 to March, the hours are shortened to 10 a.m-4 p.m. Tickets need to be purchased in advance, and visitors can only enter the castle’s rooms by guided tour. The castle is closed Dec. 24-25 and Jan. 1.

Visitors have to purchase tickets at the Ticketcenter Hohenschwangau in the village of Hohenschwangau below the castle. From Munich, tourists need to take a train and then a bus to the castle; it’s a very steep 30-minute walk to the castle from the village, although a bus and horse carriages are available.

Alexa’s Blog – Day 8

The following events transpired on 5/19/13.

We were up early to catch a train to Salzburg, Austria for a day trip. The train ride took around two hours. Compared to all the travelling I have been doing recently, between planes and buses, two hours on a train seems like cake. I had my iPod with me and was able to jam during the ride and enjoy the lovely Austrian scenery. The Alps are so beautiful! It’s so weird to realize that there is actually snow at the tops of these mountains.

After we arrived in Salzburg we had lunch in the train station and departed to meet our new tour guide for the afternoon. Salzburg is iconic because it is the location of the Sound of Music film as well as the true events that inspired the musical and movie. Our tour guide had plenty to tell us about the film and the Trapp family as we frolicked about the grounds and gardens. Everything about the garden is stunning, from the architecture to the flowers to the landscaping. There is a huge fortress in the mountains beyond the garden that is so noticeable that it’s almost distracting.

After we were done in the gardens and had exhausted ourselves singing Sound of Music songs we crossed the bridge into the main part of Salzburg. On the bridge there are thousands of locks fastened to the chain links. Couples purchase and initial these locks, attach them to the bridge fence, and toss the key into the river to symbolize their never ending love. Which is great for them, I guess.

The new tour guide gave us a walking tour of Salzburg with Arnoud following at a distance. Salzburg is officially now my favorite place that I have been to so far. It’s the perfect little city, complete with cobblestone streets, fountains, gargoyles, a huge, gorgeous cathedral, horse-drawn carriages, beer gardens, river cruises, street vendors, cheese shops, gelato and ice cream, expensive chocolates, souvenir stores, an incline, the fortress, and above all, an amazing view of the Alps! I wish that I could just move everything from my life in Pennsylvania and bring it to Salzburg.

After the walking tour was over, our group split up and Carson and I decided to explore. We saw quite a lot, which is great considering she is still on crutches. We got a little too zealous and started climbing a steep road that actually turned out to be the path leading up the fortress. We turned around as soon as we figured that out.

The day started out sunny and warm, but it quickly turned chilly and rainy. We didn’t let that deter our spirits as we stopped at street vendors, got ice cream for a euro per scoop, and took in the Austrian atmosphere. It felt like we had just set out to roam the city when we realized it was time to meet back up with the group for dinner. We could have probably used at least another hour. Even though I have limited money I was able to get my mom a souvenir. She is into old-timey home decorating and cooking so I bought an oven mitt that can be used as a decorative item or for real cooking. It has a recipe for apple strudel written on it in German. The woman I bought it from thought that it was silly for me to be buying something not in English, but my family has German background and my mom may or may not have taken German in high school, so it’s close enough.

We had dinner on the third floor of a quant little café near the birth house of Mozart. Here, we experienced chicken for the first time since leaving the United States. It was magical.

After dinner we departed for Munich on the train and made it back to the hotel exhausted but fulfilled. I’m ready to look at the photos I took today and see what edits I can do – the fortress is all but washed out in a few of them. My camera is having some kind of lens issue and won’t work so it looks like I’ll be up taking care of that tonight. Hopefully all will be better by tomorrow because we’ve got the biggest photo op of the trip – Nueschwanstein Castle!

Alexa’s Blog – Day 7

The following events transpired on 5/18/13.

Today we took the train to Dachau to visit the concentration camp. I knew that it was going to be an emotionally exhausting trip but I didn’t truly know what to expect. We were able to observe two remade barracks complete with bunkers, lockers, and bathrooms, the empty barrack markers, the crematorium and unused gas chamber, the Jewish and Christian memorial sites, and an extensive museum collection. All of it was very unnerving, but the worst part was the crematorium. It made me queasy just looking at it. I couldn’t help but imagine thousands of prisoners working, slaving, and dying on the grounds that we were walking on. In essence it was one terrible, massive graveyard.

Arnoud gave us a tour of most of the camp but let us roam on our own after we had finished looking at the crematorium. Behind the crematorium there was a path in the woods that had plaques representing a headstone, marking the memory of thousands of unknown Dachau prisoners. There were also sections that marked the location of a blood ditch and a wall that prisoners stood against before they were shot. It was all very hard to take in.

But it doesn’t stop there. After we were done outside, we went into the museum and watched a short film with real photos and clips from the Dachau camp. That was too much at times because it the camera got very close to the dead. And they were everywhere: stacked on wagons, suffocated in train cars, loading into ditches, remains in the crematorium, hanging on electrical fences…it was impossible to get away, and it was horrible.

After the film was over I went through the rest of the museum and found snippets of new things I hadn’t known about Dachau, all of which were very interesting but none the less horrific. There was one room that showcased the portraits of camp survivors called Recording Survival by Elija Bosler. Her work was exquisitely done and seemed very personal, but it was also very sad. I read the bios of each of the people she photographed and they all lost a huge part of their lives. Yes, the may have survived, but many members of their family did not. Some of them were completely alone once they were liberated. Just thinking of it is upsetting.

After we returned from Dachau, we had the rest of the day to ourselves. Almost all of us decided on retail therapy to try to burn the image of what we had seen at the camp out of our eyes. I eventually broke off from my group because I’m one of those people who shops better by themselves. I ended up getting a few small things and moving on to explore. There’s a tiny shop around the corner from the Glockenspiel that sells sheet music and I was in there forever just looking at their collections. It was nice just to wander for a bit and have nowhere that I actually needed to be. Eventually, I walked back over to the Glockenspiel just in time for it to chime, and then headed back to the hotel to relax for a few hours before a late dinner. I ended the night with a quick trip to the bar with rest of the group before returning to the hotel to get some sleep. Tomorrow’s big adventure lies in Saltzburg!