Touring Berlin

Reichstag

A view of the Reichstag
(photo by Michelle Graessle)

by Michelle Graessle

The barely full tour bus hit every bump in the unfamiliar road with little regard to its travel-worn passengers as it made its way toward the city. This particular bus was not immune to typical characteristics of other buses. The smell was stale and the air slightly stagnant. Seemingly unsuspectingly, this bus rolled along the highway in typical fashion; however, it was only a matter of time before this bus and its cargo would be enveloped by a foreign culture steeped in such a colorful history and taken completely by surprise.

The best way to describe a driving tour of Germany’s capital city Berlin is as a virtual reality history book. Instead of reading from a text, Liane Schulz, our tour guide is talking about what happened over a worn-out PA system. Instead of looking at pictures, the Point Park passengers are seeing it with their own eyes.

“And if you’ll look to your left, you’ll see the Brandenburg Gate,” she nonchalantly mentions.

The Brandenburg Gate is a cultural and historical icon.  (photo by Alexa Blanchard)

The Brandenburg Gate is a cultural and historical icon.
(photo by Alexa Blanchard)

The Brandenburg Gate has had an interesting view on so many decades of history, its symbolism changing with the times. Originally upon its inception, it was a symbol of peace. Then in Nazi times, it was a symbol of the party. It had a front row seat to that long, terrible reign and then later the end of the Berlin Wall.

As the bus rolled on, the tour guide mentioned another interesting tidbit about Berlin. “We have 170 museums in Berlin. That’s more museums than days it’s raining here,” Schulz  said.

And how couldn’t there be? With so much history to explore, it comes as no surprise that Berlin is home to a multitude of museums. The tour guide pointed out a museum at Checkpoint Charlie, one of the former connecting points between East and West Berlin. There is the Topography of Terrors that chronicles many aspects of Germany under Nazi rule, which was very close to the group’s hotel in Berlin, and there are also many diverse art museums to visit, many on Museum.

Just as diverse, Schulz explains, are the types of people living in Berlin. Of the 3.5 million citizens, the top three groups of immigrants come from Turkey, Croatia and other parts of Eastern Europe. One hundred and eighty countries are represented in this 775-year-old melting pot of a city. Also included in the population of Berlin are students. Berlin is the setting for to four universities and around 260,000 students. Because of this, nightlife is a large part of Berlin’s culture, giving it a unique reputation to the rest of Germany.

Students explore the Holocaust Memorial. (photo by Connor Mulvaney)

Students explore the Holocaust Memorial.
(photo by Connor Mulvaney)

Berlin attracts 1.2 million visitors per year, the guide said. Also not a surprise as on a driving tour alone the students saw the Reichstag building, Potsdamer Platz and the Sony Center, the Victory column, also known by American soldiers in World War II as the “Chick on a Stick,” and so many other iconic tourist destinations and historically relevant locations. The Point Park students and faculty stretched their legs at the Holocaust Memorial, a striking outdoor sculpture and commemorative museum in the midst of their initial tour.

This dynamic and diverse city also offers other unique experiences to travelers in its distinctive gastronomy and cultural nuances. If a tour bus could talk, it would tell visitors that Berlin is a must see for anyone interested in Germany as a travel destination.

Fotogalerie im Blauen Haus

fotogalerieby Connor Mulvaney

“I think somebody said ‘if you want to make a statement, send a letter,’” said Nick Hermanns, curator of the Fotogalerie im Blauen Haus in Munich.

“Photography isn’t about having a message. This is just showing how somebody sees a special part of the world.”

Hermanns not only curates his own gallery but also is an avid professional photographer, author and a graphic designer. Seeing the trade of photography from both sides of the gallery windows has given him an interesting perspective on the field.

“I have a pretty simple philosophy about photography. It’s not so artistic and not so sophisticated,” said Hermanns. “[Making a photograph] is just showing how I see something. It’s just a picture.”

Hermanns , 63, who has lived in Munich for 45 years and has operated his gallery since 2010, describes his taste as traditional, which drives his choices in exhibitions in his gallery.  His current exhibit, “Landscape Impressions” is by Willi Morali, a photographer and architect from Velbert, Rheinland

“There is one thing which all my artists have in common.  They do pure photography, so they don’t manipulate [their photographs],” said Hermanns.

This technical foundation separates Fotogalerie im Blauen Haus from the field of German galleries and photographers, according to Hermanns. “I don’t think [this exhibit] fits in anything.  It’s really completely outstanding,” Hermanns said.  “It’s really far away from the German art scene.”

In an art community with many “extremely expensive” and popular photographers, Hermanns’ gallery stays true to his principles.

“This gallery has its focus on photography, not on art. It’s more [about] a kind of straight photography, which is easy to understand and nice to look at,” said Hermanns.  “Of course, sometimes the issues [represented in themes of other works] are wilder than this one, but still, it’s not a big art thing.  It’s just photography.”

willimoraliPhotos in Landscape Impressions by Morali were all exposed on film across several countrysides across Europe.  Each is carefully composed, often with vanishing points or displaying perspective in some form in a way that draws the viewer’s eye around the picture and easily allows him or her to digest the photograph.

“It’s pretty easy to understand. It’s not a sophisticated kind of artificial photography,” said Hermanns.  “You can just look at it, you see it’s a tree, it’s black and white, and I understand what is happening there.  It’s nothing with a big concept or intellectual whatever. It’s just photography.”

The photos were printed in a darkroom on silver gelatin paper and then toned with gold, selenium or palladium to give them a taste of color as well as to preserve them.

This may read like Greek to the modern photo enthusiast, but it is this traditional approach that Hermanns has a passion for.

“The guys who work like this are not so many.  Most [photographers today] shoot digitally…and this very traditional style starts to become rare,” said Hermanns.

However, the value of traditionally made photographs in a lightning-fast paced field is not necessarily worth its weight in whatever it’s toned in.

“I don’t think [working this way] is of value. It’s just another way to work,” said Hermanns.  “I think it’s a question of feeling.  [Silver gelatin] gives you the feeling that this is really craftsmanship, somebody did something with that and not [just] pushed a button.  Both can bring perfect results.”

Morali was able to produce such perfect results in Landscape Impressions, according to Hermanns.

“I think he’s a really extremely perfect printer,” he said.  “If you’ve seen the tones of the photography, there is still something in the black, the deep parts of the photo, and also in the very, very light ones.  This is perfectly done; it’s just really good craft.”

Pittsburgh, meet Munich

The Glockenspiel towers over Marienplatz.  (photo by Carson Allwes)

The Glockenspiel towers over Marienplatz.
(photo by Carson Allwes)

by Carson Allwes

Point Park University’s International Media class arrived in Munich on Friday from the airport and straight into a tour of Germany’s third largest city.

Tour guide Arnoud Beck provided a bus tour from the airport to the hotel. Beck pointed out key points such as the Autobahn, the highway in Germany famous for not having a speed limit. The advisory speed limit is 130 kilometers or 81 miles per hour, and buses and trucks should travel at 80 kilometers per hour or around 60 miles per hour, according to the highway’s website.

Old and new buildings, including Munich’s soccer stadium, flashed by the bus windows as the bus took the group to its hotel. The hotel, Europäischer Hof, is in the center of Munich, near Marienplatz.  And it was very close to the main train station, which the group used a number of times for visits.

Henry the Lion founded Marienplatz in 1158. Today it is a shopping center. Downtown Marienplatz was filled with people browsing shops, eating in cafés, visiting street vendors and enjoying outdoor street music.

Vendors set up along the streets with their carts full of fruits, vegetables and white spargel, or asparagus, which was in season.  Their customers were dressed in everything from lederhosen to everyday apparel.

This Marienplatz street vendor sells fresh produce. (photo by Carson Allwes)

This Marienplatz street vendor sells fresh produce.
(photo by Carson Allwes)

Marienplatz has several key points that depict Munich. Beck showed the group a couple of churches, including Bürgersaalkirche and the Frauenkirche.

Bürgersaalkirche is between two buildings and almost blends into the scenery. The church has a museum for the Rev. Rupert Mayer SJ. He was a Jesuit priest who was a chaplain in World War I, losing a leg in a grenade attack. During World War II he preached against the Nazis and was placed in “protective custody” and later sent to a concentration camp by the Nazis. He returned to a hero’s welcome from Catholics and others after the war ended and died of a stroke in November 1945. Pope John Paul II beautified him in 1987, which is a path to sainthood. The museum also displayed many other different religious statues and relics.

The Frauenkirche is the tallest building in Munich. It was decided by the city that no building should be taller than the Frauenkirche’s two towers, which are around 100 meters tall.

Beck explained why the Frauenkirche survived the war.

“The high points of the church gave the army [a marker] to bomb the city,” he said.

This saved the Frauenkirche and many other tall buildings as they were used for the military during the second war.

Inside the Frauenkirhe, Beck told the story of how the church was built. According to legend, Jörg von Halsbach needed funding in order to build the church and asked the Devil for help. The Devil would help but only if Halsbach did not put windows in the church.

The devil's footprint sits on a tile inside the church. (photo by Carson Allwes)

The devil’s footprint sits on a tile inside the Frauenkirhe church.
(photo by Carson Allwes)

Halsbach tricked the Devil by using the architecture to give the appearance of a windowless church. Devil was not fooled.

“In [the Devil’s] anger at being fooled, he [stomped] his foot and left his footprint [in the floor],” Beck said, showing it to the students.

The Frauenkirche is also the home of the archbishop. This is the church where former Pope Benedict XVI practiced as bishop before moving on to the Vatican.

Another famous piece of architecture is the Glockenspiel.

The Glockenspiel is in the center of Marienplatz, an old gothic-themed building with gargoyles and flying buttresses. The clock is in the center tower. The clock tower has two open windows with pieces that move at 11 a.m. and 5 p.m., attracting a crowd. The inner mechanics put on a show for the people in the square. The entire show lasts about 15 minutes.

Beck’s tour ended with permission to begin exploring and sampling Munich’s cafés and restaurants. The tour formed a foundation of important landmarks and history that better shaped the group’s understanding of the city over the rest of their trip.

Salzburg Cultural Visit

Students remember victims at Dachau

Jewish Memorial at Dachau Concentration Camp

The Jewish Memorial at Dachau casts a light of hope on its visitors.
(photo by Marina Weis)

by Marina Weis

The deceptive words, arbeit macht frei, or, labor makes you free, welcomed thousands of prisoners as they made their way through the entryway into the Dachau concentration camp in Germany.

Now weeds grow over the rusted barbed wire that surrounds a large courtyard plagued with an eerie emptiness. Songbirds pierce the silence as small groups of visitors pause to read at information stands about the atrocities that happened here years ago when thousands of people were tortured and killed for the Nazi regime.

“We are walking on the ashes of the people who died here,” said Arnoud Beck, a tour guide for Explorica who was leading the Point Park group of visitors through the camp as part of the International Media class.

“Can we take photos?” asked a student visitor.

“No,” Beck answered. The tourists frowned. “You have to take pictures to show the world so it never happens again.”

Out of many concentration camps in Germany, this was the first set up by the Nazi regime and acted as an example to the rest that followed. It opened in 1933 as a camp for political prisoners – all those who opposed Hitler, such as communists, social democrats and especially the Jews. But in 1938 it became a concentration camp. Originally designed to hold 6,000 prisoners, the Americans who liberated the camp found it overfilled with 32,000.

Although the Americans liberated the camp in 1945, it was still used as a place for immigrants and homeless people. It was only after riots that the camp was closed around 1965. Soon after, the Bavarian government decided to make it an open-air memorial, and it includes three religious installments – Catholic, Jewish and Protestant. Some of the outdoor sculpture depicts those prisoners who ended their lives by running into the electrified barbed wire to end their suffering or attempting to escape by whatever possible means only to be shot by guards atop one of the towers surrounding the perimeter of the concentration camp. The camp now receives more than 1 million annual visitors.

Munich tour guide Arnoud Beck explains how the Dachau prisoners were crammed into the barrack's sleeping quarters.

Munich tour guide Arnoud Beck explains how the Dachau prisoners were crammed into the barrack’s sleeping quarters.
(photo by Helen Fallon)

All 30 of the original barracks, which each housed more than 2,000 prisoners, were destroyed, but two exact copies were re-created for the memorial. But the gas chamber and crematorium are more or less original, according to Beck.

A native of Holland, Beck said he know many families who lost their relatives in the Holocaust. The first time he visited the camp was 20 years ago, but even after so many years, the terror still resonates with him.

“I’ve been here 100 times, and I’m still getting emotional,” Beck said. “If I go 100 times into wherever – who cares? But if I go into a camp, I still get emotional. It’s unbelievable.”

For Beck, one of the most depressing aspects about the camp is looking at the photos of prisoners who suffered from the medical experiments they were forced to participate in by the Nazis.

One photo array in the visitor center shows a man used as a subject for an aeronautic experiment for research into the possibility of survival at great altitudes. Three photos show him in a high-pressure room, and his facial expressions become progressively pained. Eventually, his brain could not take the pressure, and he died.

Others were subject to being injected with malaria and put in ice-cold water to test equipment, among other tests.

The prisoners who were traveling on a train for a week or two had hardly any food or water, so the Nazis felt they needed to be disinfected. Visitors can walk through the disinfection room that connects to the gas chamber and then eventually the crematorium. The heavy chemicals emitted from the pipes in the narrow, dark disinfection room sometimes killed the prisoners as well.

Dim light cast long, eerie shadows of visitors in the low ceiling room with small, barred windows near the floor of the gas chamber.

“This was the center for potential mass murder,” Beck said. “The room was disguised as showers and equipped with fake shower spouts to mislead the victims and prevent them from refusing to enter the room.”

An art memorial depicting intertwined bones and bodies adorns the exterior of the Dachau Concentration Camp museum.  (photo by Sara Tallerico)

An artistic memorial depicting intertwined bones and bodies adorns the exterior of the Dachau Concentration Camp museum.
(photo by Sara Tallerico)

The prisoners who were not deemed fit were transported to Auschwitz’s gas chambers in many cases instead of this gas chamber here at Dachau because the camp did not have enough fuel to burn the bodies, according to Beck. They had to get rid of the evidence. But some prisoners were forced to strip naked and enter the gas chamber. Death by poison gas could take up to 20 minutes.

The crematorium was erected to serve as both a killing facility and to remove the dead. Following the crematorium is a room with stained walls used to store corpses brought from the camp to be cremated.

Prisoners at the camp faced at 13-hour workday, seven days a week. The barracks had to be kept in pristine condition. If coffee were spilled on the floor, the entire barrack would be punished, Beck said.

Originally, each barrack was meant to 200 prisoners, but as the war waged on, they housed more than 2,000 with no insulation and no heater. Privacy did not exist, as there was one big toilet area and one washing room with two basins for the entire barrack.

Some of the beds, made up of wooden planks, have separators for privacy, but in other rooms, there are no separators. But this was an advantage in the winter as body heat helped to warm the prisoners.

But most people died because of sickness above anything else, according to Beck and the center’s website. At the end of 1944, the number of prisoners staggered over 60,000 and the living conditions were catastrophic due to poor hygiene and food supplies. An epidemic of typhus claimed over 15,000 lives. A serious case of tuberculosis was also discovered in block no. 29, and people were murdered in groups of 20 by injection.

A grave marker pays tribute to the unknown victims. (photo by Michelle Graessle)

A grave marker pays tribute to the unknown victims.
(photo by Michelle Graessle)

Finally the camp was liberated in April of 1945. But the Americans could not believe what they found. A few trucks containing prisoners were never opened because they soldiers forgot, and more than 200 prisoners died.

Many prisoners, who ate the chocolate the soldiers brought, died as they did not have any solid food for a long time. Some others, desperate for new clothing, went to the now-abandoned SS barracks. They donned some of the guards’ clothing, and the Americans, suspicious of them, kept them imprisoned. Some, according to a memoir published by a South Tyrol conscientious objector, were sent to a French prisoner of war camp for months after the camp’s liberation.

Others could not leave the camp immediately because they had to go through decontamination due to illness. It took some nine to 10 months before they could leave, as many were also too weak to enter society.

At the end of the visitor center, there is a display explaining what happened to the war criminals involved in national socialist crimes at Dachau. The trials by the Allies were the first of their kind and became models for following trials, but with the beginning of the Cold War, interest in prosecution began to recede. The West German justice system took over, and despite preliminary trials, there were an overwhelming number to deal with and then only a few prosecutions. Most offenses were placed under amnesty and therefore many of the crimes committed remained unpunished.

“You have people that don’t know about the massive executions. You have to think about 26 million people were killed in five years,” Beck said to his group of visitors, cameras peppered among them as he ended the tour. “I hope when you show those pictures to other people, I hope that they got that same effect and start thinking about what they are doing.”

Complete madness then, a beautiful museum now

madness-pflug

Part of the Berlin Wall, on the Topography of Terrors grounds, that reads “Madness”
(photo by Katie Pflug)

by Katie Pflug

Berlin, Germany’s Topography of Terror historic site is set on what used to be the site of the Reich Security Main office, but it is now a complex where visitors can learn more about the history of the Holocaust and the Nazi reign in Germany.

Even though National Socialist terror was planned and organized by other parties, the Reich Security Main Office was the center of most of the Nazi regime’s mass crimes and acts of terror.  Between 1933 and 1945, the central institutions of Nazi persecution and terror – the Secret State Police Office with its own “house prison,” the leadership of the SS and, during the Second World War, the Reich Security Main Office – were located on the present-day grounds of the “Topography of Terror” that are next to the Martin Gropius Building and close to Potsdamer Platz, according to its website. It was just blocks away from the Suite Novotel, where the Point Park group stayed during its time in Berlin.

After the war the grounds were leveled and initially used for commercial purposes. Later, in 1987, as part of Berlin’s 750th anniversary celebration, the terrain was made accessible to the public under the name “Topography of Terror.” An exhibition hall and the exposed building remains on the former Prinz-Albrecht-Strasse (today’s Niederkirchnerstrasse) and Wilhelmstrasse were used to document the history of the site. The documentation center opened in 2010.

Exhibit at the Topography of Terrors (photo by Katie Pflug)

Exhibit at the Topography of Terrors
(photo by Katie Pflug)

Now the grounds of the Topography of Terror have a haunted feel, almost as if visitors are being transformed back into that time period. It has part of the Berlin Wall as a backdrop, which adds more history and eeriness. There is a piece of the wall with the word “Madness” lightly written.  This part of the wall stuck out to many visitors because many of them stopped and looked at the part of the wall particularly long.  “The word [madness] describes how Germany was during that time period through the use of one word,” Andrea Karsesnick stated.

The outside exhibit begins with the year 1933, which is when the Nazi Party rise began. It was set up with large pictures, text, and propaganda posters.  There are also other sections of the wall that are on their sides, with the metal exposed.  The wall, in the form, looks like an art form.

It all starts in 1933 with “The Path to Dictatorship,” describing how Adolph Hitler came to power.   This section of the exhibit is very time consuming but worth each second. It starts with describing the phase where Germany was between democracy and a dictatorship.

There is one picture in particular that stood out more than the others.  The picture of the marching SS officers holding the flag with the Nazi symbol on it made it known to everyone that the Nazi Party was taking over.  This photograph was taken in January 1933.

The Reichstag Fire and Nazi Terror in Berlin was another key section of the 1933 exhibit, explaining the burning of the Reichstag building.  The burning of the Reichstag building, executed by a young Dutchman, Marinus van der Lubbe, led to the Nazi Terror taking place in Berlin.

The Topography of Terror, a commemorative site in Berlin, details the Nazi Party's rise to power in 1933 through the end of the war and the Nuremberg trials. Here Professor David Fabilli views some of the public shaming Jews endured in the years leading up to the Holocaust.  (Photograph by Helen Fallon)

The Topography of Terror, a commemorative site in Berlin, details the Nazi Party’s rise to power in 1933 through the end of the war and the Nuremberg trials. Here Professor David Fabilli views some of the public shaming Jews endured in the years leading up to the Holocaust.
(Photograph by Helen Fallon)

There are many propaganda posters hanging around the exhibit.  Each of them offers an explanation of what each poster is trying to persuade everyone to think is right.  Each of the photographs and propaganda posters really brought the exhibit to life.

In the middle of the 1933 exhibit there are separate hanging posters to remember some of the victims of Nazi Terror in Berlin.  All of the victims’ photographs are accompanied by their personal stories that would make anyone sick to his or her stomach.

For example, Franz Wilczoch, a laborer, was taken to the district court prison on June 22, 1933.  The Nazis were using the district court prison as a detention and torture center.  When he was there, they severely maltreated him.  His face was beaten with burning torches, they poured hot tar onto his wounds, his hair was cut or torn out, and he was plastered with adhesive tape.  He died from his injuries on June 30, 1933.

The exhibit then goes into events happening later in 1933, such as the Anti-Jewish Terror, purges and employment bans, Day of National Labor and the destruction of the trade unions, book burning, and the consolidation of power.

After the 1933 exhibit there is much more to see inside the  documentation center, which continues the timeline until beyond 1945 – from the start of the war, the “shamings” and public humiliation of remaining Jews, SS officers retreats, persecution of prisoners and Hitler’s opponents, to the trials of the leaders.

The grounds are landscaped with trees and a large pathway, which makes it easy to stop for a second and remember the terrible events that happened on that very location.

The pathway leads around all of the grounds and finally makes its way back to the documentation center.  Information on the Gestapo and SS offices are just a few of the examples of history that is around the pathway.

The center also includes a library, open from 10 a.m. until 5 p.m.; guided one-hour tours are also available. No admission fee is charged, and the site operates from 10 a.m. until 8 p.m. daily.  Staff members start closing the documentation center at 7:45 p.m. It is all wheelchair accessible.

According to its website, 900,000 people visited the “Topography of Terror” in 2012, making the documentation center one of the most frequently visited places of remembrance in Berlin.

Point Park University’s International Media Class gets a touch of culture in Salzburg, Austria

Mirabell Gardens all photos courtesy of Johnie Freiwald

Mirabell Gardens
all photos courtesy of Johnie Freiwald

by Johnie Freiwald
Point Park University students and faculty visited Salzburg, Austria, on Sunday, May 19, on a side trip as part of this year’s International Media class.  Salzburg has a rich history of musically talented people.  The students dodged raindrops to see the birthplace of Wolfgang Amadeus Mozart and where the famous singing Von Trappe family lived, a real family made famous by their story’s retelling in the widely known film 1965 film “The Sound of Music.”

When the Point Parkers arrived in Salzburg, they met Ursula, their tour guide for the day. The tour began at the intricately designed Mirabell Gardens.  The garden is near the steps made famous by the Trappe family children singing “Do, Re, Me” in “The Sound of Music.”  Next to these beautiful gardens, the tradition of music continues, in the Mozarteum.  This music university hosts musicians from all over the world and takes pride in training today’s musicians and theatre arts students. The Mozarteum is also home to the Salzburg Mozarteum Orchestra, one of Austria’s most well-known orchestras and a longtime participant at the Salzburg Festival in July.

The tour included brief stops at the two houses where Mozart lived – where he was born and where he lived as a teenager before leaving for Italy and finally Austria, playing for kings and queens during his brief but prolific career as a composer and musician.

Lovelocks on the Makarsteg Bridge

Lovelocks on the Makarsteg Bridge

The Point Park students then crossed the Makarsteg Bridge, which is home to many lovelocks. A lock is placed on the bridge by a couple to symbolize that their relationship will last forever.  After the lock is placed on the bridge the key is thrown into the Salzach River. As the group proceeded on their tour of Salzburg they saw vendors selling goods by the river.  Many generations of Austrians have had the pleasure of enjoying these open air markets.  They are now visited by citizens and tourists alike.

On a Sunday, many residents strolled the streets dressed in their traditional Austrian garb, something Ursula said is very common and evidence of pride in their heritage.

One of the most prominent features of Salzburg is the vast number of churches. One specific church, Sebastianskirche and Friedhof, which has been repeatedly rebuilt due to deterioration and natural disasters, features the classic baroque style that is so iconic in Gothic architecture. The church contains a crowded but very beautiful cemetery that is the resting place for hundreds of late Austrians.

Salzburg Cathedral

Salzburg Cathedral

The last stop on the tour was the Salzburg Cathedral.  The church was lit up with brilliantly colored lights to celebrate the Catholic youths convening that weekend in Salzburg. There were rows of flickering candles surrounded by groups of prayerful churchgoers, young and old. Outside, the group admired the grand architecture and marble stairs. Even near the church there were plenty of street vendors and money to be made by musicians and buskers, especially across the street where an army of horse-drawn carriages stood in waiting for tourists to purchase their services and ride through the Salzburg streets.

The group finished its visit in Salzburg with free time to explore the collection of shops, cafes, and street vendors followed by some traditional Austrian dining. The Point Parkers then embarked for their train and returned safely, yet exhausted, to Munich.

Eating in Berlin – Guten Appetit!

Germans frequently add beer and pretzels to meals  (photo by Katie Pflug)

Germans frequently add beer and pretzels to meals
(photo by Katie Pflug)

by Sara Tallerico

Germany is renowned for its heavy, substantial regional food. Local cuisine is strongly influenced by past immigration, but the dishes are much more simplified. Berliners prefer their foods to be filling rather than over-fussy.  Cooking in Berlin is simple and down-to-earth, and the meals are hearty and satisfying.

Berliners begin their day with a typical breakfast of cold meats, cheeses, fresh fruit and an array of rolls and bread.  Some accompany their meal with orange juice, apple juice, coffee or hot tea, others with beer.  Time with friends and family is valued much more.  Breakfast is a time for relaxation, and they want to maximize every minute they have together.

Traditionally, Germans eat their main meal during the day between 12and 2 p.m. This meal is usually a warm, hearty dish.  At Maximilians, a restaurant with a cozy brewery atmosphere, the waiter suggested some of the Point Park students experience a typical Berlin lunch, meatballs.  He said they were a “very traditional and popular dish in Berlin.”  The meatballs were exactly what diners would expect when thinking of a German dish.  They were hearty, satisfying, warm and delicious. The dish consisted of two large meatballs served with mashed potatoes and carrots. Berlin meatballs are a perfect example of the three major staple foods in Germany: meat, potatoes and vegetables.

Germans enjoy their evening meal later on in the day, usually between 7 and 8 p.m. This meal is similar to a typical German lunch, hearty and warm. However, the portion size is usually smaller.

A protein-packed meal in Munich with a variety of sausage, potatoes, pretzels, and sauerkraut. (photo by Richelle Szypulski)

A protein-packed meal in Munich with a variety of meat, potatoes, pretzels, and sauerkraut.
(photo by Richelle Szypulski)

A favorite dinner in Berlin members of the Point Park group tried was Käsespätzle, otherwise known as cheese spaetzle.  Spaetzle is an egg noodle that is extremely popular in all parts of Germany. Germans prepare this traditional pasta in a plethora of ways. However, cheese spaetzle seems to be the most desired in this country. The dish is typically served with a generous portion of spaetzle with melted cheese and topped with fried onions. Recent Point Park University graduate Richelle Szypulski described the dish as “similar to gnocchi pasta, but delicious in a melt-in-your-mouth way.”

Point Park students and faculty had a variety of group dinners during their time in Germany, reflective of the different food in the cities and Salzburg. Main courses for the dinners were Turkey with creamed mushrooms and herb rice, fresh pork wiener schnitzel with potato-radish salad in Berlin; Munich white sausage, rostbratwurst, meat loaf, sauerkraut, potatoes and pretzel, and jagerschnitzel (grilled pork loin with mushrooms, vegetables and pasta in Munich; and pan-fried breaded chicken with potato-cucumber salad in Salzburg. And the group experienced the traditional German breakfast at hotels in Berlin and Munich during the trip, complete with scrambled eggs and sausage, of course, as well as bacon. And it was included in the room charges, which was wonderfuland helped students’ expenses.

photo

Favorite German desserts consist of fruit and Quark cheesecake.
(photo by Johnie Freiwald)

Now time for the best part: dessert in Berlin.  After a filling dinner, Germans usually make sure they save room for a delicate treat.  A very favored dessert is cheesecake, although some of the group dinners included apple strudel, chocolate mousse and raspberry yogurt cream cake.  German cheesecake is typically made with Quark cheese.  For variety, berries such as raspberries or blueberries can be added.  It truly is the perfect ending to a delicious meal.

Stay in the east or flee to the west?

Checkpoint Charlie Museum

Checkpoint Charlie Museum

by Katie Pflug

Checkpoint Charlie was once a main crossing point between East and West Berlin and the Berlin Wall, but today it is a main historical attraction in Berlin, Germany.

The Checkpoint Charlie Museum may look like an old-fashioned home, but it is filled to the brim with historical remembrance of East and West Berlin.

Located near Potsdamer Platz, the Checkpoint Charlie Museum was erected in 1962 by freedom-fighter founder and director Dr. Rainer Hildebrandt. The museum started as a two and a half room apartment display that held history about the Berlin Wall. On June 14, 1962, the museum reopened in Friedrichstrasse in what used to be a block of flats, at the Checkpoint Charlie border crossing. Today it displays objects that helped escapees flee the East, exhibits to learn more about the history of the Berlin Wall and stories of escapees, according to its website.

Today the museum is run by Hildebrandt’s widow, Alexandra Hildebrandt, who, since the death of her husband in 2004, has expanded the museum to include more exhibitions about human rights and freedom.

The  permanent exhibition dates back to the museum’s first days, just after the building of the Berlin Wall, and charts the lifespan of the world’s supposedly most secure border system, according to its website. Here visitors can see original boards created by Hildebrandt in the 1960s, who worked with journalists, escape organizers and protesters to put together a compact and clear outline of the background to the wall’s creation, as well as other key events in East Germany’s history, such as the June 17, 1953, uprisings.

Katie Pflug and Michelle Graessle stop for a photo of the American sector exit sign.

Katie Pflug and Michelle Graessle stop for a photo of the American sector exit sign.
(photo by Connor Mulvaney)

After viewing the first room, visitors walk up a staircase that has children’s paintings all the way up to the top of the stairs. Each of the paintings explains the separation between East and West Germany and how children wish they could all be friends.  The paintings and drawings add a child’s perceptive to the museum, which gives visitors another great way to think about how the Berlin Wall affected so many people’s lives.

Throughout the whole museum there are many displays that shows objects that helped East Berliners escape to the west. From suitcases and heaters to escape cars, hot air balloons, homemade mini-submarines and deceptively hollow surfboards are just a few of the items that people used to escape. Reading the stories left many visitors looking shocked.

The museum displays a homemade airplane that was used as an escape method. The only part of the plane that was not homemade was the engine, which was taken out of a car.

The museum also has on exhibit other work describing human rights violations around the world and a permanent NATO exhibition.

Point Park students found the Checkpoint Charlie Museum a great way to learn more about what was happening while the wall was up in Berlin. The museum is heavy on reading, student visitors said, but each and every display is worth taking the time to read and understand.

The museum is open every day of the year from 9 a.m. until 10 p.m., including festivals such as Christmas and Easter and other bank holidays. Admission charges are 12.50 euros for adults, 8.50 euros for groups of 20 or more, and 9.50 for students and 6.50 for ages 7-18. Children up to 6 are free. Guided tours are available.

Rehabilitating the Reichstag

The Reichstag building boasts historical architecture and a powerful message: Dem Deustchen Volke

The Reichstag building boasts historical architecture and a powerful message: Dem Deustchen Volke

by Alexa Blanchard

The International Media class from Point Park University continued its tour of Berlin, Germany, with an evening visit to a government building known as the Reichstag.

The Reichstag building, which has undergone decades of change and reform, initially began as the headquarters of the German empire’s parliament (also called diet or Reichstag) in 1894. According to berlin.de, The Parliament was controlled by several different entities, beginning first with the German empire, followed by the Weimar Republic, and finally in the 1930s fell under Nazi control.

The Nazi Reichstag abandoned the building in 1933 after a devastating fire that destroyed most the building and was never repaired until the fall of the Berlin Wall. Since architect Norman Foster led the reconstruction effort that was completed in 1999, the Reichstag building is used once again as a government entity by the Bundestag, the modern-day term for German parliament.

From the front, the Reichstag building is huge and intimidating with its historical architecture. The pillars and statues keeping watch over the city are reminiscent of the Parthenon of Greece. The building exudes an image of grace and authority over its subjects, powerful to behold. Above the pillars on the architrave is carved a short yet meaningful phrase: Dem Deutschen Volke, or, to the German people.

The dome at the Reichstag

The dome at the Reichstag

Attached to the back of the Reichstag building is a massive dome that attracts hundreds of tourists every day. Audio guides are available for use while visitors stroll along the terrace outside of the dome and take in the breathtaking Berlin skyline.

Once inside the dome, the audio guide will begin explaining the history of the building as visitors walk along a ramp that spirals along the edge of the wall to the top of the dome, culminating in a sky view that rests the weary traveler.

The audio guide not only explains the history of the Reichstag building and the dome but also stops the visitor on the ramp to point out several key points of Berlin, such as the television tower. Many of these buildings are historical elements that are related to the Reichstag building, but most are new buildings that had to be built or rebuilt following the devastation of World War II.

The bottom floor of the dome boasts a central element that holds the entire building together. A collection of black and white photographs with detailed captions in several languages are showcased around the middle point of the dome.

These photos outline the integral points of the Reichstag’s history, including the days when it was burned and unusable. Some of the most powerful images were taken during the final days of the Berlin Wall as students sat on top of the Wall in front of the Reichstag while the police force watched them from the ground.

The interior of the dome is perfect for audio walking tours.

The interior of the dome is perfect for audio walking tours.

Some of the images are also a bit startling and strange to think about from the perspective now. A photo from 1930 reads: “The NSDPA parliamentary group leaves the auditorium; only Joseph Goebbels remains as an observer.”

So, by this time the Nazi party had taken control. How eerie to still have NSDPA artifacts still on display in a government building. As with many painful things in Germany, the reason for the rebuilt Reichstag and the dome is most likely to serve as reminders to never forget, to never let things get as bad as they once were.

The roof terrace and dome of the Reichstag Building are open from 8 a.m. to midnight daily (last admission: at 10 p.m.)  Admission is free, but advance registration is

required. The online registration form can be found at http://visite.bundestag.de. It is closed from Dec. 24-31 and other dates for cleaning. It also closes at times for security reasons when the government is in session.