BMW and the power of innovation

A series in the BMW museum.

BMW features a museum full of history and beautiful luxury vehicles.
(photo by Katie Pflug)

by Michelle Graessle

Black leather seats. The cool smoothness of a steering wheel in eager hands. The tenacious purr of a hand crafted engine. Jaw-dropping design that would leave Leonardo Da Vinci in awe. This machine belongs in one place: on the road.

The classic image of a sleek BMW is only slightly altered for the company’s newest concept, BMW i. That difference is not actually even visible, only audible because the BMW i series of vehicles is completely electric. Although its purr may be somewhat muted, its innovation, power and design are unaltered if not improved.

Manuel Sattig, communication manager for BMW project I, is adamant that although combustion engines are becoming more efficient, they will eventually be phased out and electro-mobility will be at the forefront of automotive innovation. He said that people are becoming more and more interested in the environmental and ecological responsibility of the products they buy. With that in mind, and BMW being a customer-driven company, it has to keep up with its customers’ wants and needs and prepare for the future while maintaining brand identity.

“In this time period we are in the middle of an iconic change. Right now, this is not a technology that is the most suitable necessarily for today and tomorrow, but it will definitely be one of the major technologies of the future. That’s why you have to take care of it now, to make your company fit for the future,” Sattig said.

An American BWM tour guide showcases one of BMW's tiniest models.

An American BWM tour guide showcases one of BMW’s tiniest models.
(photo by Marina Weis)

BMW did extensive research before moving forward with the cars. The BMW i3 will be released this fall and the BMW i8 next year.  The price for the i3 will be under 40,000 euros  in Euope; BMW hasn’t finalize the price yet.

The BMW i was formerly known as the “Megacity Vehicle” and is best suited for urban markets. The car must be charged like any other battery-powered device but is also complemented with a small combustion engine. This combination makes for an extraordinary driving experience while also maintaining exceptionally low fuel consumption and emission levels, Sattig said.

Sattig said that the two most important benefits of driving a BMW i are its focuses on environmental and economic efficiency.

“The environment is important because we have to reduce resources and emissions of vehicles. Also, you can actually say right now that driving an electric vehicle is about half the price, just for energy costs, of driving a very efficient combustion engine. Those are the two major factors people think about when considering electro-mobility,” Sattig said.

New innovations aside, BMW will always be a company devoted to driver experience and the tradition of the brand as Stefan Mueller, a staff member of the International Corporate Communications department, can attest to.  For example, it is important to BMW that its cars can go from 0 to 60 mph in four seconds.

“BMW is a brand driven by emotion. Our cars are sold on the notion that driving is for sport and it’s fun,” Mueller said.

The appropriately shaped BMW building.

The appropriately shaped BMW building.
(photo by Carson Allwes)

BMW can trace its roots back to Karl Rapp and Gustav Otto, according to the company’s website. In 1916, the Flugmaschinenfabrik Gustav Otto company had merged into Bayerische Flugzeug-Werke AG (BFW) at government behest. Elsewhere, in 1917, the Rapp Motorenwerke company morphed into Bayerische Motoren Werke GmbH, which was duly converted into an AG (public limited company) in 1918. BMW became an automobile manufacturer in 1928; the first motorcycle was produced in 1945. It bought the Rover Group in the United Kingdom to expand its range of models, including the Land Rover, Rover, MG, Triumph and Mini. It acquired Rolls Royce in 1998

This idea holds true as visitors cross the street into the BMW Welt and Museum, where the tradition and history of this iconic brand is encapsulated in some exquisite architecture. Classic cars and new concepts are on display for visitors to ogle, including the Rolls Royce and Mini vehicles it produces. Shiny and pristine, the museum holds original airplane engines and motorcycles of the inception of the company as well as showcases the development of BMW through the years.

As the Point Park visitors made their way through the many displays, Mueller’s idea of “driving for sport” is grossly apparent. Each specimen of automotive prowess displayed at the BMW Welt and Museum clearly wants to be used for more than just driving to work. Emotionally invested employees clearly designed and created these cars with some grand scheme of experience in mind; not just for transportation but for the love of driving.

DPA’s classic news in a modern world

dpa_newsroom_politik3by Connor Mulvaney

Chief photographer of the Deutsche Presse-Agentur Michael Kappeler believes taking one good photograph is all you need to market news photos.

“Before in the print world, we tried [to get] one good photo which tells the whole story, but now that’s changing,” said Kappeler.

Today in the digital world, photographers are able to tell stories in countless photographs. However, this is not how DPA conducts its business.

“Print is still important,” said Kappeler.

A surprising statement from a modern newsperson, but in his opinion, it’s a justifiable one.

“It’s the moneymaker for us because we cannot earn money in the digital world,” said Kappeler.  “So we make money with the print clients and so we have to satisfy them.”

Deutsche Presse-Agentur GmbH, founded in 1949 in Germany and based in Hamburg, has grown to be a major worldwide operation serving print media, radio, television, online, mobile phones, and national news agencies. News is available in GermanEnglishSpanish and Arabic. The English service is produced in Berlin, which is also the location of the central news office. The DPA has offices in 80 countries, 12 regional German bureaus along with 50 additional offices in Germany. Point Park students and faculty visited the Berlin office and also heard from Christian Rowenkamp, head of corporate communication, on DPA operations.

In particular, DPA aims to please clients with its “classic” news photographs.  That is, one photo that shows the action and emotion of a situation, and tells the story with one exposure of the camera sensor. Kapperler said the agency has 100 photographers in Germany alone to accomplish that compared to the eight the Associated Press has in all of Germany.

By using the word “client,” Kappeler is of course referring to media outlets.  Not the public.  This in opposition to its  American counterpart, AP, who caters to its  news partners but also permits some public access to its website, stories and photographs. .

“We are only providing news to business clients,” said Kappeler.  “They can use these pictures or information to bring to their clients because we have no way to earn money back [from non-business clients].  So they can [sell] news to their clients, so they can buy the news.”

The DPA’s international reach and commitment to its German clients make it vital to reporting German news.  Its client list proves it. Nearly 100 percent of German media outlets are partners of DPA, according to Kappeler.

“For…the Olympics, or the pope’s election… we send our own DPA photographers to countries where these things happen,” said Kappeler.  These photographers have two jobs – “They do general news, but they also follow the German interest.”

dpa_web_02A hard concept to understand for Americans, as the United States is often at the center of attention when it is involved in global affairs.  For smaller countries like Germany, an extra effort is required to report international news.

“If something happens, there is not always a German interest [reported by other outlets],” said Kappeler.  “The best example is the Olympics.  If a German sports team reaches fourth place, nobody will take a picture of them because [reporters] just follow the medal winners.”

One DPA German photograph of interest worldwide was the recent one that Kappeler himself took – of outgoing Pope Benedict’s hand with the papal ring about to be destroyed per Catholic Church regulations.  He said he took a chance on that photograph, but it was used in countless publications.

Thus, DPA’s commitment to its clients leads them to exactly what they need.

“It’s our task, then, just to follow the German interest because there is a huge media market in Germany, so we have a lot of clients and they want to know what the Germans are doing.”